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May 8, 2012

Unsuitable for Public

Lately I've been prone to weeping a little in public. I wept a bit when I came to the end of Alice Munro's "The Bear Came Over the Mountain." I wept a bit when I heard about Maurice Sendak passing away. I wept a bit when I read this piece. Frankly, I don't think I'm suitable to be out in public anymore.

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I'm giving a reading this Thursday! Then another in Milwaukee the following Friday. First order of business was picking out my outfit. Now that's taken care of, onto the poems.

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I've been thinking about intelligence in poetry lately. Mostly that my poems are not 'intelligent' enough. This semester I've been reading smarter books, trying to push myself to write poems that are driven less by the heart and are more cerebral. And I've enjoyed the variety to my reading this has caused and have been given a new set of poets to admire.

But fuck it. I've hated writing that way. I write the poems I write because it's what I would want to read. Yes, my poems wear their little black hearts on their sleeves, and my work doesn't push against the confines of language or challenge the perimeter of our linguistic understanding. I admire poets who have done this kind of work well. I think it's important to always be pushing yourself to new goals, and to always be evolving as an artist. But I wasn't drawn to poetry for scholarly reasons. I was drawn to poetry because it made me more human.

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Ha. I can't even write a defense of my work without becoming over-sentimental.

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I've been reading through Legitimate Dangers, which is an anthology of poets whose first books came out between 1999 and 2006. It's a great anthology and the work is diverse and exciting. One thing I noticed is that just about every poet in there had their first book published when they were in their 30s, 40s, or 50s. It made me a bit more aware of how young I still am, and how young I am in relation to writing poetry. I've only been writing poetry seriously since 2007. I have a theory about how my favorite books take a decade to write, and I'd like to write the best book I can, so I have more time. A lot more time. I can be patient.

But of course, if my book gets taken in the next year, the first thing I'll do is delete this post.

April 27, 2012

Links

The folks at Potomac Review asked me to write a blog post about why I write a poem a day in April.

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I wrote a review of Melissa Range's terrific book Horse and Rider for Devil's Lake

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Tracy K. Smith wins the Pulitzer for Life in Mars! Last year, I asked Tracy some questions about her award winning book.


March 20, 2012

Nothing Collapses

There are a few poetry books I read annually, mostly out of nostalgia but also because I find something new to appreciate each time. Every fall, I read Robert Hass's Field Guide. Each winter, Brigit Pegeen Kelly's Song. Spring, Mark Doty's My Alexandria. And in the summer, I read Song of Myself. The last in particular is so vast, there's only so much one can  absorb on a first, second, or third reading. I've read it each year since 2007, and since Madison has recently been struck with summer-like weather, I'm picking it up again.

It amazes me that it was first published in 1855. It could have easily been published 100 years later. How can you not love a poem with lines as fierce as this: "All goes onward and outward, nothing collapses, / And to die is different from what any one supposed, and luckier"?

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I found out earlier this month that I've been named a 2012-'14 Stegner fellow at Stanford. My mind is a bit blown and my immediate life plan has taken quite a shift. Brandon and I are now moving to the Bay area. I've never been to West coast, and aside from a summer I spent on a Navajo reservation in Arizona, Wisconsin is as far west as I've really explored. I feel very lucky and very grateful.

In other good news, my manuscript was a finalist in the Yale Series of Younger Poets prize. I'd been hoping my book would place as a finalist somewhere this year, if only as validation that it's on the right tack. Many congratulations to Will Schutt, this year's winner and whose work I admire greatly. I read his poem "Sussing out" for linebreak a few years ago.

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Mark Doty gave a reading last week here in Madison, which was such a treat. He's one of the most important living poets to me. I first read  "The Embrace" on the top floor of the UMF library in the fall of 2006, and it was the first poem I really loved, the first poem that made me want to write poetry, and also the final impetus for my coming out. If I may be so sentimental, I would say this poem saved my life.

February 16, 2012

Confessions

Blog, forgive me; I've been neglectful. It's been 4 weeks since my last post. Either my life has been too full to take the time out to post, or the opposite and I have nothing to say to you all. I'll post more. I promise to try better!

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Lately, I've been reading poetry that's less concerned with narrative elements or has less of a situational backbone. Although its influence hasn't yet surfaced, I think it'll be good for my work. I rely so (too?) much on narrative in my poems. I'm also trying to fill the gaps in my reading list, poets I should have long ago read. I'm reading A.R. Ammons and Gertrude Stein for the first time in my life, Dear Reader. Can you believe that?

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I landed a summer job teaching creative writing in NC for gifted teenagers. It's nice to push back unemployment by another 8 weeks.

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I'm participating in another poem-a-day challenge. More than halfway through, it's hard to tell what I will end up working with once the dust settles. So far there's 3 or 4 poems I'm excited about, and if that's all I get out of the month, it will be a month well-spent.

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On Valentines day, Glitter Tongue launched: a collection of 30 love (or anti-love) poems from queer and trans writers. I'm proud to have a poem included.

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Spent a long weekend in Athens with Brandon. We made a gourmet vegan dinner that took hours and hours but was absolutely glorious. We also saw a pair of black bears.

Quinoa, avocado, and sweet potato timbale with roasted tomatillo dressing.


Artichoke ricotta tortellini with saffron cream sauce.


Black pepper shortcakes with blackberry basil sauce and cinnamon cream.

January 20, 2012

Revamp, Revamp

Once again, I'm revamping the manuscript. I thought I had been writing toward The Next Thing, but I've decided that all those poems were was actually still The Old Thing. I reread the manuscript after putting it away for three months and found four poems I wanted to cut, and I added 11 poems from the new set I'd been working on. So the book's longer now, which is fine, as it still only clocks in at 59 pages. I reordered it significantly, and retitled a lot of older poems to fit the newer poems. I feel good about it but it's still so new that I'm having a hard time looking at it objectively. Whenever I come across a new poem, I know it didn't used to be there so it feels very out of place even if it's not.

Sometimes I wish I could pay someone else could go through all my poems and find a manuscript. I've written about 250 poems for this book and have cut all but 53. Which is a good thing. But a different reader might have picked different poems, and I always wonder about some I've left behind.  I know, I know; if I didn't order it myself it wouldn't really be my book anymore...

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I got a copy of the Naked Muse calendar in the mail a few weeks ago, and I love it so much (but not too much). A great project and a beautiful product.

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One of my New Year's Resolutions was to do more urban homesteading, so I've been making more a lot of staples from scratch and trying to use less products that have ridiculous and terrifying ingredients. My first experiment was to make my own deodorant, using coconut oil, baking soda, cornstarch, vitamin E oil, and tea tree extract (as adapted from Bonzai Aphrodite). It works super well! No residue on my shirts, and I like the way it smells. Other items on the list: soy yogurt, lip balm, cologne...

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As of yesterday, I've been a vegetarian for 5 years. Couldn't be happier about that. By this time next year, I intend to be vegan.

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Life in Wisconsin this week (via Underground Weather): "feels like -13 degrees," "5-7 inches of snow accumulation," "bitterly cold," "ice pellets," etc., etc.

I somehow always forget how walking outside this time of year is like your face falling off.

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Speaking of Wisconsin: 1 million recall signatures were collected, twice more than were needed!

December 31, 2011

New Year's

Resolution season. There's the typical: weight (to gain it, in my case), exercise (ha!), read more, write more, work harder, like more people, drink more tea and less coffee, more time outside and less internet, more patience and less cynicism.

Looking back at 2011, I had a really good year. I read more translated poetry, saw more of the country, made more friends, began learning an instrument, and started this here blog.

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New Year's Eve always makes me a little sad.

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New issue of Devil's Lake is live! I'm particularly proud of this one. Some of my last editorial decisions as its poetry editor, a lot of work done from the editor-in-chief side of things. It's been awesome watching this journal grow over the last two years.

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Poet Lore asked me to write a blog post about "Shank," my poem they nominated for a Pushcart. Here's the link.

December 8, 2011

Poetry Is Hard

Poetry's been hard lately. I'm sure that has something to do with the end of the semester, but it's no excuse. When I am able to write a poem, I feel good about the work, but my productivity is slowing down quite a bit, which feels like a standstill coming off poem-a-day October. Perhaps my creative well is waiting for rain.

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I finished grading my students' long poem. No one told me that by assigning a 10-page poem to 13 students that I'd have to read and comment on 130 pages of poetry in a week. But it hardly felt like work; my students this semester are so talented.

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There's been a call for submissions to send "G-rated" poems to an Eat Local, Read Local festival in Milwaukee. My students have asked me to read a poem of mine at the class reading which we'll have on our final day together. All this has brought to my attention that my poems which make some reference to sperm much outnumber the poems which do not make some reference to sperm.


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I found out that Poet Lore has nominated my poem "Shank" for a Pushcart Prize. I'm very humbled and honored. They have also asked me to write a post about the poem for their blog, which I'll link here when it goes live.


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Dear Blog, have I told you I decided not to apply for PhD programs this year? I have decided not to apply for PhD programs this year. My heart just wasn't in it. I'm not completely ruling it out in the future, but I know what sort of steam it takes to roll through a doctorate program, and I think I just need to want it more than I do right now. I sent off some fellowship applications, but in all likelihood, I'll be moving to Georgia, finding some work there, hopefully still writing poems on the side, living with Brandon, and petting his three cats, and that all sounds great to me.

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Also, Brandon and I celebrated our two year anniversary this past Thanksgiving. I'm a very lucky guy. The luckiest, I reckon.